Wednesday, January 20, 2010

The 2010 Massachusetts Special Election

As most of you know, last night Scott Brown defeated Martha Coakley for Ted Kennedy's seat in the US senate. Scott Brown, a republican "everyman" from Wrentham was able to energize his base with charisma and approachability.


I did not vote for Scott Brown. I proudly voted for Martha Coakley. And not because I'm some super-democrat, far from it. I've never voted for anything or anyone based purely on their political "laundry" and never will. I voted for Coakley because a.) I think she would have been a far stronger candidate and b.) she would have been the 61st vote needed to get Obama's Health Care Reform passed. Instead, not only will Health Care not make it through the senate, Ted Kennedy's seat is now being filled by someone who won this election because he drives a truck. There is a lot to be sick about this morning if you are not a Brown supporter. Here are a few things that are bugging me:

1.) THE OBAMA EFFECT

When the 2008 Presidential Election was going on I lived in Boulder, Colorado. For those unfamiliar, Boulder is a college town full of young, wide-eyed, liberal people that generally vote (D). What was not at all surprising during Obama's campaign is that he was able to capture the imagination of young people in Boulder (and across the country) not so much with his policies, plans, or politics, but rather with his image. Young people thought it was cool to support Obama. This young(ish) black man that listens to Lil Wayne and may go down in history as one of the greatest orators in American politics. "Hope" signs were everywhere, "Change" signs as well, chants of "Yes We Can" would break out randomly on CU campus and even be included in choruses to hip hop songs by Nas and Busta Rhymes. Young people stared at Obama with a glassy look in their eyes, and who could blame them? He was running against the most crotchety old white guy the GOP could have possibly marched out and he whooped his ass pretty hard thanks in part to the historic voter turnout of the 18-35 demographics.

Now, was this an overall "good" thing? I don't know. On the surface I'd have to say no, I don't think it was. It's good for people young and old to get out and vote and take part in the process, but what percentage of young people voted for Obama because he's "cool"? Probably more than you'd expect, and I'd imagine the percentage goes up a lot when contrasted with young voters who sat down, took the time to see what Obama was planning on doing as president and voting for him based on the substance as opposed to the image.

This is partially understandable because let's face it, people between the ages of 18-25 are pretty much obsessed with image, especially in a place like Boulder. It's part of being a young adult. Rampant insecurity combined with a never-ending battle to appear cooler than the next person drives this particular age bracket and that's nothing new. Young people were fed up with W. and Cheney and the Republican agenda and when a cool candidate came along to challenge it they showed up and elected the cool guy.

Well, in Massachusetts the same thing happened, only it was republicans, and it wasn't just young republicans either, it was middle-aged wealthy white guys all throughout Massachusetts staring at Scott Brown with that same glassy-eyed gaze that 18 year old Boulderites ogled Obama with. It was, to say the least, disturbing. They actually chanted "Yes We Can" at Brown's victory rally. Think about that for a second.

And that wouldn't even bother me so much if Brown had more to offer to Massachusetts and the US Senate aside from being the 1 vote to block Health Care. He doesn't. He was a Wrentham District Selectman and the odds of his term going beyond 2012 are highly unlikely despite his present rock star status. People voted for him because he seemed like a "regular guy" and "he'd be fun to have a beer with" which is shockingly retarded. Since when is that the standard that we hold our elected officials to? Massachusetts republicans all came scurrying out of whatever dark cave they've been hiding in for the past 30 years and declared that they were finally proud to vote in Massachusetts. These are adults I'm talking about right now. Men and women with families, with jobs, with real lives that they have to worry about, and they're creaming their pants over the ability to vote for a "regular guy" after all this time. Again, this wouldn't bother me so much if Brown's campaign focused AT ALL on his stance on certain issues. The ONLY issue we were presented with from his side was that he was planning on voting against Health Care, and that was enough for a lot of people, but a lot of people didn't even give a shit about that. They voted for him because he was cool, and because his opponent, Martha Coakley, was not, which brings me to the second aspect of this election that really blazes my britches.

2. THE RISE AND FALL OF MARTHA COAKLEY

In the coming weeks and months (hell, maybe years) Martha Coakley is going to get absolutely annihilated by everyone. The left, the right, the center, you name it. She is truly a woman without a country this morning, and that's absolute fucking bullshit.

Martha Coakley was the first female District Attorney of Massachusetts as well as its first female Attorney General. She did phenomenal work in both offices. She should be remembered as one of the most determined and prolific prosecutors this state has ever had, but she won't be. She'll be remembered as the woman who blew the election for Ted Kennedy's seat. She won the primaries handily, defeating Steve Pagliuca, Mike Capuano and Alan Khazei. Scott Brown beat a guy named Jack E. Robinson who runs for office just to get his name on TV and generally doesn't crack double digits when it comes to percentage points. Coakley's campaign during the primary was impressive. She came across as a strong and determined women with a sterling record as a MA prosecutor, an official who was not afraid to take on any issue or any person. Her record as DA and AG was not perfect, by any means, but show me one DA or AG with a perfect record and I'll show you a bridge in Brooklyn that's for sale.

What happened after the primaries was her fault, there's no getting around it. Coakley rested on her laurels. She wasn't going to lose to some no-name district selectman from Wrentham and everybody knew it. She disappeared for a while. During that time, Brown hit the streets. He was everywhere, driving around that signature truck and shaking hands with everyone who would come out to see him. He was outside shaking hands at Fenway during the Winter Classic, a move that was scoffed at by Coakley. He was litereally EVERYWHERE, you couldn't miss him, and suddenly the tortoise started inching up behind the hare.

What happened next was strange, as both candidates began campaigning against each other with negative ads, yet Coakley was singled out as the only one doing so while Brown was praised as "taking the high road". The naiveté of that is just mind-boggling. Both candidates put out negative ads, they're on youtube, you can see them for yourselves, yet Coakley was the only one mentioned as doing so. Brown's mythical status grew while Coakley's mold of a cold, steely, unapproachable lawyer-lady hardened despite it's inaccuracies. In the debate, Brown made a lot of odd comments that Coakley did not attack/defend. For example he accused Coakley of being soft on terrorism because she was in favor of trying suspected terrorists through due process of American law as opposed to Brown's proposal that they be tried in military tribunals where they would not be given an opportunity to "lawyer up".

Coakley did not defend her stance very well, as she hemmed and hawed her way out of it instead of looking across the stage and reminding Brown that a.) he's a lawyer too b.) the republican party had 8 fucking years to try these guys in military tribunals but they were too busy water boarding them at Guantanamo Bay and c.) Richard Reid (the shoe bomber) and Zacharias Moussaoui (9/11 conspirator) were both tried with regular American due process of the law and both of those guys are rotting in prison cells serving 9 consecutive life sentences between the two of them (3 for Reid, 6 for Moussaoui).


But she didn't say any of that, she never went for the kill. So Brown the tortoise plodded along and by the time Coakley woke up from her nap it was too late, he'd crossed the finish line.

He energized his base, he ran a very strong campaign, and he didn't make any mistakes. He was, in my opinion, a far inferior candidate but Coakley never made it clear enough to the public that she was the better person for the job. Her campaign was atrocious, while his was nearly flawless. I'm bummed out that the better campaigner won this election as opposed to the better candidate and that Health Care will now not get passed but overall, the Dems still hold an 18 seat majority in the Senate and Obama should still be able to get his act together if he's worth his weight in salt as a politician. Time will tell.


In the meantime, this is a very disappointing day for Massachusetts. A day where image won over substance and thousands of middle aged rich white guys got to feel like 18 year old Boulderite stoners for a couple months by voting for their guy. They were mad as hell at the past, oh, I dunno, year and a half and they're not gonna take it anymore!!! The old way isn't working, and our new guy is gonna come in and say nay to the health care bill! And he drives a truck!!! And ....and....well .....

Did I mention he drives a truck?

Tuesday, December 22, 2009

TOP TEN HIP HOP ALBUMS OF 2009

And we continue with the big list. The top 5 albums of the year, and what a year it was!!

To review here is what we've got so far

10. Wale - Attention Deficit

9. Street Sweeper Social Club - Street Sweeper Social Club

8. Clipse - Til The Casket Drops

7. Kid Hum - Offshore Drilling

6. Cormega - Born And Raised


And with no further ado, here are my Top 5 Albums of 2009



5. CAPONE -N -NOREAGA - CHANNEL 10

This album got mixed reviews from most critics and I can sort of see why. This album was not as hyped as it probably should have been, and before it leaked people were hoping that when C-N-N reunited that it wouldn't be a desperate attempt to recapture the magic that they had on the War Report and to a lesser extent on The Reunion. Since this is their first album together in almost ten years expectations were all over the place. I'm here to say that this particular hip hop fan who listened to The War Report almost, I dunno, every day for like 2 years that this album is excellent. The best tracks are full on bangers such as Follow The Dollar (prod by Alchemist) and Grand Royal (prod by Premiere) and the duo even lets the listeners in on their tumultuous past and partnership in "The Argument". Capone sounds great and Nore effortlessly slides back into his vintage pre-reggaeton flow getting dirty on each track like it's 1997 again.


WOULD BE HIGHER IF:

Well, it'd be higher if they trimmed like 3 songs. Those songs are 'Beef', 'Mirror', and 'Rotate'. Wishful thinking on 'Rotate', as that is the album's only club track. "Follow The Dollar" was supposed to be the album's lead single but incredibly it failed to chart despite being one of the best tracks to come out this year. Those three songs drag this album out of the top 3 and into the top 5.



4. J DILLA - JAY STAY PAID

Unreleased Dilla beats, arranged and produced by Pete Rock. Ridiculous samples. Stellar MC appreances. Funny interludes. Powerful compositions. This album has everything, and since Dilla's estate is still in question and therefore preventing the release of most of his work this might be all we get from Dilla for a while. The beats on here range in tone from his Ummah/SV days to his more recent beat-tape oriented work. As usual, each track has immense replay-ability and Jay's signature ability to draw powerful sounds from unlikely sources that stick in the listener's mind long after the next track has started is as palpable as ever.

WOULD BE HIGHER IF:

Pete Rock did a yeoman's job on this project, and the only thing I really found that was wrong with it is that Dilla didn't put it together himself. Rock didn't ruin it with his arrangements or mixing or anything, in fact he did his friend a wonderful tribute, but I can't put an album of Dilla beats arranged and mixed by somebody else in my top 3 in good conscience. This is my list, after all.



3. KID CUDI - MAN ON THE MOON: THE END OF THE DAY

This album completely blew me away. Not because it was demonstrably "better" than some of the other picks on this list, but because it was so different and intriguing that I actually found myself getting personally invested in this 25 year old dude's pysche`. Something I definitely was not expecting when I first heard this album. I knew going into it that CuDi is a pretty introspective dude and on tracks like "CuDi Zone" and "Day'N Nite" his self-absorbed experimental personality comes to the forefront as he combines his vastly underrated flows with some pretty touching vocals. The beats on this album don't range that much as most of them are in the vein of CuDi's spaced out wide open semi-electronic style. When CuDi comes out of his shell on tracks like "Make Her Say" and "Enter Galactic" the results are equally as pleasing.

WOULD BE HIGHER IF:

I actually think this is as high as this album could get for me, and this has nothing to do with CuDi's recent Ron Artest impression (check it out, he punched out one of his fans and was subsequently kicked off of the rest of Lady Gaga's tour, whoops) but mostly because the album is a little too on the hipster side for my tastes. CuDi does what he does as well as anyone, but this is one of those artists that I kinda have to be in the right mood to really appreciate.



2. SLAUGHTERHOUSE - SLAUGHTERHOUSE

I'm not gonna lie, I was chomping at the bit to get my hands on this album from the moment I heard these dudes were forming a group. The result is damn-near masterpiece that has set a very high standard for all future "supergroup" -style arrangements. Usually when a group of previously established MC's get together and release music like this there is a real sense that the alliance was forced and that translates pretty obviously in the music. That is not the case here, not at all. Each MC has a distinct style as well as a distinct amount of street cred to compliment their jaw-dropping flows and wordplay. From the opening horns of "Sound Off" to the nasty drum jabs on "Killaz" this album blows your fucking head off and does not apologize for it. In a murky time for music in general where MC's are trying their best to stay relevant Slaughterhouse was a breath of fresh air and a reminder that elite lyrical skills still count for something.

WOULD BE HIGHER IF:

It'd be higher if this next album didn't come out this year. And believe me, this 1-2 seeding was not an easy decision.



1. RAEKWON - ONLY BUILT FOR CUBAN LINX II

Much like #2 on the list, this album reels you in immediately and doesn't let go until the tracks run out. In a way, it's still not over even then as there are so many moments on here that almost make me yearn for a simpler time when I could rewind a verse on my tape player and not have to worry about making the CD/Ipod track skip to the next one by accident.

Let's face it, "Only Built For Cuban Linx" overshadowed a lot of very strong albums and singles that Rae put out over the years, similarly to Nas and "Illmatic". 99's "Immobilarity" and 03's "Lex Diamond Story" were both good albums but neither one could stack up to his debut. In fact, most Wu solo releases couldn't stack up with that debut, it's shadow was long and dark. However, Rae has burst from that shadow with an album that could only sit at #1 on this list. There are fast-paced Wu bangers ("House Of Flying Daggers") moving tributes, ("Ason Jones") haunting narratives (there are several) and an almost cinematic feel to each track. There is a definite story here, and the seamless transition of Rae's character of an up and coming gangster to a saavy boss is exactly the kind of touch needed to keep the Wu on people's minds as we forge on into this next decade of hip hop.

WOULD BE HIGHER IF:

There was a number higher than 1. Take a bow, Rae. This album was the crown jewel of a great year for hip hop.


So there's my list! Feel free to disagree or post up your own in the comment section. Thanks for reading!!

-JM

Monday, December 21, 2009

Top Ten Hip Hop Albums of 2009

Hey folks, since it's pretty much impossible to do a top 10 album podcast I'm gonna drop it up here. These picks are just my opinion, so feel free to argue with me.

Here we go:




10. WALE - ATTENTION DEFICIT

Wale was a one man wrecking machine on the mixtape circuit for the past 2 years and after he dropped this year's "Back To The Feature" fans were on the edge of their seats waiting for this album to come out. Wale tackles a bevy of relevant topics on this album but doesn't come off as preachy which is impressive. Solid debut for the Nigerian Nightmare.

WOULD BE HIGHER IF:

A big problem with mixtape killers like Wale is that when they put albums out often times the familiarity and connection with the listeners gets lost and to an extent this album suffers from it. On his mixtapes, it was like Wale was performing exclusively for each individual listener whereas on Attention Deficit he comes off more like he's putting on a show at MSG. A strong album, but I think Wale is still very much on the rise and that his best is yet to come.





9. STREET SWEEPER SOCIAL CLUB - STREET SWEEPER SOCIAL CLUB

Boots Riley and Tom Morello join forces on this album and the result is a great mixture of dark, sarcastic, antagonizing and powerful. Boots spits inspired bars over Morello's vicious riffs and gets in zones that remind me a lot of George Carlin in terms of the message and the way it is delivered. Morello's spontaneous guitar playing is wrangled in lyrically by Riley in a very unique way, different from Zac De La Rocha's fiery outbursts. Between the catchy chants and snarky observations Boots barrels through the right wing with a razor sharp tongue and despite his more laid back delivery he is still perfectly capable of assisting Morello as he whips the track into a frenzy.

WOULD BE HIGHER IF:

Musically, there is really nothing wrong with this album. If anything it can get a little repetitive as Morello and Riley have very signature styles that most casual music fans are at the very least partially familiar with. The problem here is that we're one year into the term of our first black president who listens to and comments on hip hop. Albums like this are a lot more powerful when "The Man" is an old white guy, especially a Republican. They still attack old white guys on tracks like "Clap For The Killers" and "100 Little Curses" and with the country in an economic crisis there is certainly cause to get nasty with the people who created it but it's hard to really get into the spirit when the head man in charge likely listened to Public Enemy in college. If this album came out 2 years ago then it would absolutely be higher on the list.




8. CLIPSE - TIL THE CASKET DROPS

Another great album from Clipse as they continue to show their range as artists. They still rap about crack and everything but they've expanded their repertoire. You know what you're going to get with Clipse, for the most part: minimalist beats, sick wordplay, unique flows and hard lyrics, but on this album the world finally gets to hear Pusha and Malice over some new kinds of beats including production credits from DJ Khalil and Chin and Sean C & LV providing the album's best tracks in my opinion (There Was A Murder and Freedom, respectively).


WOULD BE HIGHER IF:

The Neptunes' beats on this album are at best inconsistent and at worst disappointing. Maybe it is the "new toy" aspect of hearing Clipse over new producers, and Clipse fans have obviously been spoiled by some of the Neptune's most memorable minimalist sonic landscapes but there just wasn't enough going on here this time. Each Neptunes beat seems like it's one or two sounds away from being vintage Star Trek. No dis to the 'tunes but I think that if Clipse really gets busy with a wider array of producers their next album will be #1 no matter what year it comes out.

























7. KID HUM - OFFSHORE DRILLING

Kid Hum is very quickly becoming one of underground hip hop's most sought after producers. This project uses instrumentals from Hum's 08 release "Fossil Fuel" and combines some scorching hot flows from MC's across the country. Colorado's favorite sons Whygee and Sunkenstate each drop in to blaze the tracks down as well as North Carolina's Cy Yung, Chicago's Pugs Atomz, and New York's Brown Bag All-Stars to name a few. All of them shine on this album with a real sense of hunger and drive that independent rappers need to have to be relevant at this stage in the game. These MC's all soar and the directions they all take each Hum beat almost make you forget that you're listening to an album of beats made by one guy.

WOULD BE HIGHER IF:

The album doesn't flow quite as well as Fossil Fuel mainly because of the varying styles that each MC comes with. On Fossil Fuel there was a real beginning, middle, and end that is a somewhat absent on Offshore Drilling. Hum has projects either already out or lined up with most of these MC's individually and while this album is very strong on it's own it is almost more of a really good preview of these upcoming projects.
























6. CORMEGA - BORN AND RAISED

A great album that got overshadowed by this year's more ballyhooed releases. Mega got some excellent producers on this project and his hood narratives are sharper than ever. The best songs on here are some of Mega's best songs anywhere and with his catalog that is saying a lot.

WOULD BE HIGHER IF:

Some of these beats just don't cut the mustard. Pete Rock's contribution is pretty boring and since Mega's last album was in 2002 I expected more from this release. It's still very strong but not quite as good as I would have hoped.




PART II Coming Tomorrow!!!!

Tuesday, December 15, 2009

Top Ten Singles of 2009 Part II 1-5

Here it is folks, part two of my Top Ten Singles of 2009 list. I'll put together one long file if need be but these two should be easy enough to DL and add.

The list so far :

10.) Fashawn - Ecology

9.) Kid Hum ft. Sunkenstate - Gingivitis

8.) Capone-N-Noreaga - Follow The Dollar

7.) Cormega ft. Lil Fame - Get It In

6.) Raekwon - Ason Jones


Check out the top 5!!!!

Judge's Top Ten Singles of 2009 #1-5

Enjoy,

-Judge

Sunday, December 13, 2009




It's that time of year so I put together a top 10 singles of 2009. Here's the first half (10 through 6) and I will have 5 through 1 up in a day or two. Feedback is welcome, and all rankings and selections are strictly my opinion.

Top Ten of 2009 #10-6